أَأَلْقَاكِ بَعْدَ الْبُعْدِ يَوْمًا عَلَى الْمَدَىأَصِرْتِ إِلَى اللُّقْيَا مِنَ الْوَهْمِ أَبْعَدَا
أَأَرْجُو لِقَاءً بَعْدَ كُلِّ الَّذِي مَضَىمِنَ الْعُمْرِ وَالْأَيَّامُ تُخْفِي لَنَا الرَّدَى
بَعِيدٌ بَعِيدٌ ذَاكَ فِي الْعَقْلِ إِنَّمَالِمَنْ هُوَ مِثْلِي لَيْسَ شَيْئًا مُبَعَّدَا
أَرَى الْفَجْرَ يَمْحُو مِنْ فُؤَادِي ظَلَامَهُوَيُشْرِقُ نُورُ الْبِشْرِ فِيهِ مُوَرَّدَا
أَرَاكِ تَمُدِّينَ الْيَدَيْنِ تَلَهُّفًالِحِضْنِي كَمَنْ ظَلَّ الدُّهُورَ مُقَيَّدَا
تَضُمِّينَ صَدْرِي أَوْ أَضُمُّكِ نَحْوَهُفَيَرْفَضُّ عِبْءُ الْهَمِّ إِذْ كَانَ مُجْهِدَا
وَأَجْثُمُ مِنْ ذُلٍّ لِحُبِّيكِ يَا لَهُعُلُوًّا تَنَاهَى فَوْقَ كُلِّ الَّذِي بَدَا
وَأَعْزِفُ أَشْعَارِي عَلَى لَحْنِ حُبِّنَافَتَشْدِينَهُ هَمْسًا كَأَرْوَعِ مَنْ شَدَا
تَذَكَّرَ قَلْبِي لَيْلَةً فَتَذَكَّرِيفَيَا رُبَّ ذِكْرَى قَدْ تُعِيدُ لَنَا الْهُدَى
لَقِيتُكِ فِيهَا دُونَ أَيِّ تَوَاعُدٍوَقَدْ كَانَ فِي نَفْسِي لِقَاءً مُمَهَّدَا
وَنَاجَيْتِنِي فِيهَا بِهَمْسٍ مُحَبَّبٍإِلَى النَّفْسِ وَالنَّجْوَى يُرَدِّدُهَا الصَّدَى
فَكَمْ ذَا جَنَيْنَا وَالْعَفَافُ رَقِيبُنَاقُطُوفَ الْغَرَامِ الدَّانِيَاتِ تَوَدُّدَا
وَكَمْ ذَا حَكَيْنَا بَيْنَ دَمْعٍ وَلَهْفَةٍحِكَايَاتِ قَلْبَيْنَا وَحُبًّا مُهَدَّدَا
حَكَيْنَا عَنِ الْأَحْلَامِ فِي لَيْلَةِ الْهَنَاإِذَا غَابَ بَدْرٌ كُنْتِ لِي أَنْتِ فَرْقَدَا
وَحِينَ تَوَاعَدْنَا لِلُقْيَاكِ مَرَّةًوَسَمَّيْتِ يَوْمًا ثُمَّ وَقْتًا مُحَدَّدَا
أَتَانَا عَدُوُّ الْحُبِّ فَرَّقَ بَيْنَنَاوَمِنْ يَوْمِهَا لَمْ يَعْرِفِ الْجِسْمُ مَرْقَدَا
أَنَا الْمُخْلِصُ الْفَانِي لِحُبِّكِ دَائِمًاوَحُبُّكِ قَدْ أَعْيَا الْفُؤَادَ وَأَجْهَدَا
فَهَلْ تَذْكُرِينَ الْوَعْدَ؟ إِنِّي لَذَاكِرٌوَمَا زِلْتُ حَتَّى الْيَوْمَ أَنْتَظِرُ الْغَدَا
مَتَى تُنْجِزِينِي يَا حَبِيبَةُ أَمْ تُرَىبِمَا فِيكِ مِنْ حُبِّي تَنَاسَيْتِ مَوْعِدَا
Shall I Meet You?
- Shall I meet you one day, after the distance, somewhere down the years,
or have you grown more distant from our meeting than a dream by day? - Can I hope for a meeting, after all the life that’s passed,
while the days keep death concealed from us along the way? - Far, far off that is, to reason; and yet, to one like me,
nothing is far away. - I see the dawn erase the darkness from my heart,
and the light of gladness rising there, rose-tinted, into day. - I see you stretching out your arms in longing for my embrace,
like one who has been kept in chains for ages. - You clasp my breast, or I draw you close to it,
and the burden of care that wore me out breaks up and falls away. - I crouch in lowliness before your love, and what a height it is1,
a height that soars beyond all that has come to view! - I play my poems to the melody of our love,
and you sing it in a whisper, like the finest who ever sang. - My heart recalled a night: so you recall it too!
How often a memory can lead us back to the right way! - I met you on that night without our having planned it,
though in my soul the path to it had long been smoothly laid. - And there you whispered to me, in a voice dear to the soul,
and the echo kept repeating the whispered words you’d say. - How often did we gather, with chastity our watchman,
the low-hanging clusters2 of love, in tenderness! - And how often did we tell, between our tears and longing,
the tales of our two hearts, and of a love in harm’s way! - We spoke of dreams upon that night of bliss;
whenever a full moon set, you were my Farqad3 in its stead. - And when, once, we had promised each other we would meet,
and you had named a day, and then a fixed hour of the day, - the enemy of love came and tore us apart,
and since that day my body has not known a bed. - I am the faithful one, forever wasting4 in your love,
and your love has wearied my heart and worn it all away. - Do you remember the promise? I remember, and I wait
for that tomorrow still, even to this day. - When will you keep it, my beloved? Or, for all the love
for me that is in you, have you made yourself forget5 our appointed day?
Notes
- The verse sets dhull, abasement, against ʿuluww, height (ṭibāq). To bow low before the beloved’s love is, paradoxically, to be raised above everything visible: the lover’s humility is his exaltation. ↩
- Quṭūf dāniya, ‘low-hanging clusters’, is the Qur’an’s description of the fruit of paradise, within easy reach (Qur’an 69:23). In classical love poetry the raqīb is the watcher or spy who keeps the lovers apart. Here the only watchman is their own chastity: they enjoyed love’s fruits within its bounds. ↩
- Al-Farqad is a bright star near the Pole Star (with its companion the pair are called al-Farqadān). It guided travellers by night, and the two Farqads were proverbial for steady companionship that never parts. When the moon set, the beloved was his guiding, constant star. ↩
- Al-fānī is ‘the one who wastes away, who perishes’, and also carries the Sufi sense of fanāʾ, the passing away of the self in the one it loves. The lover is both worn out by love and lost to himself in it. ↩
- Tanāsā is not simply ‘to forget’ but to make oneself forget, or to pretend to have forgotten. The question is a gentle reproach: he does not believe she has truly forgotten. ↩
English translation prepared by artificial intelligence and reviewed against the Arabic for accuracy of meaning and rhetoric.
