ماذا دهاك

ترجمة إنجليزية
شارك:
مَاذَا دَهَاكِ وَكُنْتِ قَبْلُ كَزَهْرَةٍنَشْوَى تُهَادِينَا شَذًى وَرَحِيقَا
وَكَبُلْبُلٍ يَشْدُو أَغَارِيدَ الْهَوَىصَدِحًا فَيُطْرِبُ شَائِقًا وَمَشُوقَا
أَوْ كَالصَّبَاحِ مَحَا الظَّلَامَ بِنُورِهِوَالشَّمْسُ تَزْهُو فِي السَّمَاءِ شُرُوقَا
وَكَبُرْعُمٍ يَضْنَى بِشَوْقِ صَبِيَّةٍحُلُمُ التَّفَتُّحِ زَادَهَا تَشْوِيقَا
وَخَمِيلَةٍ زَادَ الرَّبِيعُ رُوَاءَهَاوَاللَّهُ نَسَّقَ حُسْنَهَا تَنْسِيقَا
غَنَّاءَ هَزَّتْهَا الطُّيُورُ بِشَدْوِهَاعَزَفَتْ بِصَافِي لَحْنِهَا مُوسِيقَى
وَكَنَسْمَةٍ طَافَتْ عَلَى أَيْكِ الْهَوَىسَحَرًا فَصَفَّقَ غُصْنُهَا تَصْفِيقَا
مَاذَا دَهَاكِ فَصِرْتِ غَضْبَى فِي الْهَوَىلَا تَبْسِمِينَ وَتَهْجُرِينَ رَفِيقَا
قَدْ كَانَ فِي دَرْبِ الصَّبَابَةِ حُبُّهُنُورًا يُضِيءُ لِخَطْوَتَيْكِ طَرِيقَا
رَسَمَتْ خُطَاهُ فِي مَعَالِمِهِ رُؤًىغَرَّاءَ شَعَّتْ رَوْنَقًا وَبَرِيقَا
قَدْ كُنْتُمَا كَأْسَ الطِّلَا وَحَبَابَهَالَمْ يَسْتَطِعْ أَحَدٌ لِذَا تَفْرِيقَا
تَتَسَاقَيَانِ مَحَبَّةً بِتَعَانُقٍبَاعٌ يُطَوِّقُ قَامَةً تَطْوِيقَا
لَا تَرْوَيَانِ مِنَ الْهَوَى بِسُلَافَةٍكَالْخَمْرِ لَذَّتْ فِي الْمَسَاءِ غَبُوقَا
وَتُغَرِّدَانِ فَلَا يُرَى فِي الْكَوْنِإِلَّا الْحُبُّ ضَمَّ عَشِيقَةً وَعَشِيقَا
مَاذَا دَهَاكِ أَغَضْبَةٌ هَذِي تُرَىأَمْ بَهْجَةٌ زَوَّقْتِهَا تَزْوِيقَا
لَكِنْ وَلَا عَتْبٌ عَلَيْكِ فَإِنَّنِيقَدْ شِمْتُ فِي غَضَبِ الْجَمَالِ بُرُوقَا
وَشَهِدْتُ فِيهِ بَهْجَةً زَادَتْ عَلَىفَرَحِ الرِّضَا مَهْمَا يَكُنْ مَوْثُوقَا
أَعَلِمْتِ أَنَّ «الزَّعْلَ»(1) فَنٌّ فِي الْهَوَىفَأَرَدْتِ تَجْرِبَةً تَزِيدُ حَرِيقَا
أَنَا لَنْ أَقُولَ لَكِ اغْضَبِي أَوْ إِفْرَحِيكُلٌّ يَزِيدُكِ فِي الشُّرُوقِ شُرُوقَا
مَا تَعْشَقِينَ وَمَا بَدَا لَكِ فَافْعَلِيقَدَرُ الْهَوَى أَنْ لَا أَكُونَ طَلِيقَا
حَسْبِي فُؤَادُكِ أَنْ يُحِسَّ بِحُبِّنَاغَضَبًا وَعُتْبَى أَنْ يَظَلَّ خَفُوقَا

  1. (1) الزعل، هنا مستخدم بمعناه العامي للغضب وليس المعنى الفصيح، وهي في الأصل مفتوحة العين ولكنها سكنت هنا للوزن، وهو نوع من المداعبة للحبيبة.

ممباسا – كينيا
1992م

What Has Come Over You?

  1. What has come over you? You once were like a flower
    that gave us scent and nectar, heady with delight1,
  2. and like a nightingale that trilled the songs of love
    full-throated, thrilling lover and beloved alike;
  3. or like the morning, when its light has wiped the dark away,
    and proudly in the sky the rising sun shines bright;
  4. and like a bud that pines away with a young girl’s longing,
    whose dream of opening has only sharpened her desire;
  5. and like a grove whose splendour spring has made more splendid still,
    whose loveliness God ordered, setting every feature right,
  6. a grove alive with song2, set trembling by the warbling of its birds,
    as they struck up their music in a clear and limpid strain;
  7. and like a breeze that wandered over love’s thicket before dawn,
    until its branches clapped their hands with all their might.
  8. What has come over you, that you are angry now in love,
    no longer smiling, turning your companion3 from your sight?
  9. Along the path of ardent love, his love had been
    a light that lit the road before your feet.
  10. His footsteps sketched along its landmarks radiant visions
    that shone with splendour and with glinting light.
  11. You two were once the wine-cup and its bubbles:
    no one could ever part the two, try as they might.
  12. You poured each other love to drink in an embrace,
    an arm that wound around a slender form and held it tight.
  13. You two could never drink your fill of love’s first wine4,
    as sweet as wine that’s savoured at the fall of night.
  14. And you two sang, till nothing in creation could be seen
    but love, enfolding in its arms a lover and his love.
  15. What has come over you? Is this, I wonder, anger,
    or joy that you have painted over5, artfully, in anger’s guise?
  16. Yet I lay no blame on you: in the anger of beauty
    I have watched6 the lightning flash, again and again,
  17. and in it I have seen a joy that far exceeds
    the gladness of contentment, however sure that may be.
  18. Did you learn that ‘sulking’ (1) is an art in love,
    and wish to try it out, to set a fiercer fire alight?
  19. I will not tell you, “Be angry!” or, “Be glad!”:
    each only adds more dawn to your dawn.
  20. Whatever you love, whatever pleases you, do:
    it is love’s decree that I shall never go free.
  21. Enough for me that your heart should feel our love, in anger
    and in making up7; enough that it keeps beating, day and night.
  • (1) Al-zaʿl is used here in its colloquial sense of anger, not in its classical sense. It is properly pronounced with the ʿayn vowelled (zaʿal), but here the ʿayn has been made quiescent for the metre. It is a kind of playful teasing of the beloved.

Mombasa, Kenya, 1992

Notes

  1. Nashwā: elated, flushed, slightly intoxicated, a word used of the first glow of wine. The flower is pictured as tipsy with its own scent, and it ‘bestows’ (tuhādī, to give as a gift) fragrance and nectar on those around it. ↩
  2. Ghannāʾ, literally ‘singing’, is said of a garden or grove so lush and full of birds and humming insects that it seems to sing. The rest of the verse makes the image explicit. ↩
  3. From here to verse 14 the lover is spoken of in the third person, as ‘your companion’ and ‘he’, and the pair as ‘you two’, as though the speaker were describing someone else’s love. This is the classical device of tajrīd, in which the speaker detaches a second self and talks about it. The closing verses (‘it is love’s decree that I shall never go free’, ‘our love’) show that the companion is the speaker himself. ↩
  4. Sulāfa is the first juice to run from the grapes before they are pressed, prized as the finest wine. Ghabūq is the draught drunk at evening, as ṣabūḥ is the morning draught; both belong to the vocabulary of classical wine poetry. Here the wine is love itself. ↩
  5. Zawwaqa means to adorn, gild or paint over, often with a hint of make-believe. The question is teasing: is her anger real, or is it joy dressed up as anger, a coquettish pretence? ↩
  6. Shimtu al-barq, ‘I watched the lightning’, is a classical expression: the desert Arab watched lightning on the horizon to judge where rain would fall. In a beautiful woman’s anger the poet sees such a flash, not a threat but the promise of a shower of favour. ↩
  7. ʿUtbā is the return to good grace after reproach, the making-up that follows a quarrel. Set against ghaḍab, ‘anger’, it gives the two sides of love’s quarrels: the storm and the reconciliation. ↩

English translation prepared by artificial intelligence and reviewed against the Arabic for accuracy of meaning and rhetoric.