يا عاشقًا

ترجمة إنجليزية
شارك:

ومن تلك المساجلة الثلاثية كتبت هذه القصيدة في ليلتها:

يَا عَاشِقًا مُتَلَخْبِطَ الْأَفْكَارِمُتَرَنِّحًا مُتَشَابِكَ الْأَوْتَارِ
قَدْ أَحْرَقَتْهُ لَوْعَةٌ مَحْمُومَةٌفِي قَلْبِهِ كَدَبِيبِ لَسْعِ النَّارِ
مَا بَالُ قَلْبِكَ أَنْ أَضَرَّ بِهِ النَّوَىفِي حُبِّهِ يَقْسُو عَلَى الْقِيثَارِ
تَشْكُو النَّوَى وَالْوَجْدُ جَرَّعَكَ الشَّجَىبِدُمُوعِهِ مِنْ قَبْلِ بُعْدِ الدَّارِ
تَشْكُو الْهَوَى إِنْ هَبَّ رَخْوًا هَادِئًامِثْلَ النَّسِيمِ فَكَيْفَ بِالْإِعْصَارِ
مَازِلْتَ فِي الشَّطِّ الْقَرِيبِ وَتَشْتَكِيمِنْ مَوْجِهِ هَلْ خُضْتَ فِي الْإِبْحَارِ
خُضْ فِي غِمَارِ بِحَارِهِ بِسَفِينِهِحَتَّى تُحِسَّ بِقُوَّةِ التَّيَّارِ
وَاسْكَرْ بِخَمْرِ جَلَالِهِ تَجِدِ الدُّنَىسَكْرَى بِهِ مِنْ رَوْعَةِ الْإِسْكَارِ
أَنَا ضَامِنٌ أَنْ لَوْ ثَمِلْتَ بِرَاحِهِلَنَسِيتَ جَوَّ الْحَانِ وَالْخَمَّارِ
الْحُبُّ لَيْسَ بِنَزْوَةٍ حَمْقَى تَثُورُ وَتَخْتَفِي بِعَوَامِلِ الْإِبْهَارِ
الْحُبُّ لَيْسَ جَرِيدَةً يَوْمِيَّةًنَتْلُو بِهَا مَا رَاقَ مِنْ أَخْبَارِ
الْحُبُّ لَيْسَ بِقَهْوَةٍ يَمَنِيَّةٍتُحْسَى بُعَيْدَ الْفَجْرِ بِاسْتِمْرَارِ
لَيْسَ الْهَوَى أَعْمَى كَمَا قَالُوا لَنَابَلْ مُبْصِرٌ يُفْضِي إِلَى الْأَسْرَارِ
لَوْلَاهُ مَا مَلَكَتْ عُيُونٌ رُكِّبَتْفَوْقَ الْجَمَاجِمِ قُوَّةَ الْإِبْصَارِ
لَوْلَاهُ لَمْ تَصُغِ الْعُيُونُ لُغَاتِهَامِنْ سُكْرِ لَحْظٍ فِي الْمَفَاصِلِ جَارِ
لُغَةُ الْعُيُونِ بِغَيْرِ هَمْسٍ أَعْجَزَتْكُلَّ الْحُرُوفِ تَصُوغُ أَلْفَ حِوَارِ
لُغَةُ الْهَوَى شَرَحَتْ لَنَا فِي صَمْتِهَاحُلُمَ الْعَذَارَى فِي سَنَى الْأَقْمَارِ
لَوْلَاهُ مَا هَطَلَتْ دُمُوعُ صَبَابَةٍمِنْ بُعْدِ دَارٍ أَوْ أَسَى تَذْكَارِ
لَوْلَاهُ مَا عَبِقَ الشَّذَى فِي رَوْضِهِلِيَنِمَّ عَنْ وَجْدٍ لَدَى الْأَزْهَارِ
لَوْلَاهُ مَا أَهْدَى الْمَشُوقُ مِنَ الْجَوَىنَفْحَ الْعَبِيرِ مَعَ النَّسِيمِ السَّارِي
لَوْلَاهُ لَمْ تَجِدِ الْقِفَارَ بَدِيعَةًخَضْرَاءَ بَعْدَ تَسَاقُطِ الْأَمْطَارِ
لَوْلَاهُ لَمْ تَلْقَ الدُّنَى مَكْسُوَّةًثَوْبَ الرَّبِيعِ بِرَوْنَقِ الْأَنْوَارِ
لَوْلَاهُ لَمْ يَجْرِ الْغَدِيرُ وَلَا انْتَشَىغُصْنٌ يَنُوءُ بِنَاضِجِ الْأَثْمَارِ
الْحُبُّ إِبْدَاعُ الْفُنُونِ مُتَرْجِمًابِكْرَ الْمَعَانِي مِنْ جَوَى الْأَبْكَارِ
مَلِكٌ عَلَى عَرْشِ الْقُلُوبِ مُتَوَّجٌكُلٌّ يُبَايِعُهُ بِدُونِ خِيَارِ
الْحُبُّ إِلْهَامُ النُّفُوسِ وَوَحْيُهَاأَلْحَانُهَا تَشْدُو مَعَ الْأَطْيَارِ
الْحُبُّ سِرُّ الْكَوْنِ مَصْدَرُ حُسْنِهِنَبْعٌ مِنَ التَّحْنَانِ وَالْإِيثَارِ
الْحُبُّ إِكْسِيرُ الْحَيَاةِ وَكُنْهُهُيَخْفَى عَنِ الْأَوْهَامِ وَالْأَنْظَارِ
الْحُبُّ لَحْنٌ فِي الْوُجُودِ مُطَلْسَمٌمَعْنَاهُ فِي كُلِّ الْكَوَاكِبِ سَارِي
الْحُبُّ نَهْجٌ فِي الْحَيَاةِ وَغَايَةٌمَنْ نَالَهَا يَرْمِي عَصَا التَّسْيَارِ

ممباسا – كينيا
19/7/1994م

O Lover

Out of that three-way exchange, I wrote this poem the same night:

  1. O lover with your muddled mind,
    reeling, and all your strings entwined,
  2. whom a fevered ache has scorched within his heart
    like the creeping sting of fire!
  3. What ails your heart, that, hurt by parting, in its love
    it deals so harshly with the lyre?
  4. You blame the parting; yet passion made you drink
    grief in its tears before the homes1 were parted wide.
  5. You grumble at love when it blows soft and mild,
    light as the breeze: then what of the whirlwind?
  6. You're standing on the nearer shore, and yet
    you moan about its waves! Have you ever put to sea?
  7. Plunge into the floods of its seas, aboard its ship,
    until you feel the full force of its tide.
  8. Grow drunk2 upon the wine of its majesty, and you'll find
    the whole world drunk with it, so splendid is that wine.
  9. I promise you: were you once drunk upon its liquor,
    you'd quite forget the tavern's air, and the man who sells the wine.
  10. Love's not some foolish whim that flares, then disappears,
    roused and gone at the call of whatever dazzles the eye.
  11. Love is no daily paper, where we read
    whichever items of the news delight.
  12. Love is no Yemeni coffee3, sipped
    just after dawn, time after time.
  13. Love is not blind4, as we were told;
    it has clear sight, and brings us where the secrets lie.
  14. Were it not for love, the eyes set in our skulls
    would never have possessed the power of sight.
  15. Were it not for love, eyes would not shape their languages
    out of a glance's drunkenness5, coursing through the joints.
  16. The language of the eyes, without a whisper, has left
    all letters helpless, weaving a thousand dialogues.
  17. The language of love, in its silence, has explained
    to us the dream of maidens by the moons' bright light.
  18. Were it not for love, no tears of longing would pour down
    for a distant home, or grief that memory calls to mind.
  19. Were it not for love, no fragrance would pervade its garden
    to tell the tale6 of passion that the flowers hide.
  20. Were it not for love, the one who longs would never send,
    out of his burning, fragrance on the breeze that journeys through the night.
  21. Were it not for love, you'd never find the wastelands lovely
    and green, once the rains have fallen from the sky.
  22. Were it not for love, you'd never see the world arrayed
    in the robe of spring, in the splendour of its blooms and light7.
  23. Were it not for love, no brook would run, nor would a bough,
    bowed low with ripened fruit, sway in delight.
  24. Love is the making of the arts, translating
    virgin meanings out of the passion of virgins8.
  25. A king, crowned on the throne of hearts,
    to whom all pledge allegiance9, with no choice of any kind.
  26. Love is the inspiration of souls, their revelation;
    their melodies sing out along with the birds' choir.
  27. Love is the secret of the universe, the source of all its beauty,
    a spring of tenderness and selflessness.
  28. Love is the elixir of life, and yet its essence
    stays hidden from all fancies and all eyes.
  29. Love is a melody sealed like a talisman in all that is;
    its meaning courses through all the planets.
  30. Love is a path through life, and a goal:
    whoever attains it throws the traveller's staff10 aside.

Mombasa, Kenya, 19 July 1994

Notes

  1. Buʿd al-dār, 'the distance of the abode', is the classical phrase for separation from the beloved, when the two households live far apart. The irony is that the lover was already weeping before any separation had happened, so he cannot blame parting for his grief. ↩
  2. Wine as the image of love belongs to a long tradition in Arabic poetry, and in Sufi poetry it stands for divine love. The words the poet gathers here, khamr and rāḥ (wine), ḥān (tavern) and khammār (vintner), and above all 'the wine of its majesty' (jalāl), carry that echo, and they lift love above the lover's petty complaint. ↩
  3. Yemen is the old homeland of coffee, and Yemeni coffee is drunk strong and often, especially in the early morning. The comparison is humorous: love is not a daily habit taken for granted. ↩
  4. The poet contradicts the saying that 'love is blind', familiar in Arabic from the hadith 'Your love for a thing makes you blind and deaf.' For him love is a seer, and it leads the lover to hidden truths. The next verse turns the saying round: without love, the eyes themselves would be blind. ↩
  5. The glance of a beloved is likened to wine that runs through the joints (mafāṣil) and makes the whole body tipsy. Out of that intoxication the eyes have made their own languages, the theme of the next two verses. ↩
  6. Namma ʿan, 'to betray a secret', is used of a telltale who spreads what should be hidden. The flowers' fragrance, like a telltale, gives away the love they conceal. ↩
  7. Anwār means 'lights', but it is also the plural of nawr, 'blossom', so the robe of spring shines with both flowers and light. ↩
  8. The verse joins bikr al-maʿānī, 'virgin meanings', that is, ideas never before expressed, with al-abkār, 'virgins, maidens'. The play on the same root is a jinās: love brings forth new meanings out of the passion of young girls. ↩
  9. Yubāyiʿuhu: the bayʿa is the oath of allegiance sworn to a ruler. 'With no choice' takes up the complaint of the first poet in the exchange, that love bears down on lovers 'leaving them no choice'; here the same want of choice becomes the homage owed to a king. ↩
  10. Alqā ʿaṣā al-tasyār, 'he threw down the staff of travel', is an old Arabic idiom for reaching one's journey's end and settling down, since the traveller lays down his staff when he arrives. Whoever attains love has arrived and need wander no further. ↩

English translation prepared by artificial intelligence and reviewed against the Arabic for accuracy of meaning and rhetoric.